Spying on CoverSpy

In October 2009, after the opening of Greenlight Books, the idea for CoverSpy was hatched. Soon “a team of publishing nerds” were running around New York, chronicling the city’s public reading habits.

For a little over 3 years now, everyday this group goes incognito onto subways, through streets, and in parks and bars to get a read on the our literary thermometer. Using Tumblr, Facebook, and Twitter, they deliver the results almost in real time.

Here Book Boroughing speaks with two of CoverSpy’s founders about the project’s origins, who’s reading what on which subway, and the best books they’ve ever spied.

How would you describe CoverSpy at a party?
A: CoverSpy is a project where we spy what people are reading on subways and around the city and report what we see on our website. Sometimes, especially at publishing events or hanging with fellow book nerds, we mention CoverSpy and people already know about us or maybe even follow us on Tumblr, which is an awesome feeling.

How did you come up with the idea?
T: We were at a bar with some colleagues from Slice magazine, talking about the number of ereaders and Kindle ads we were seeing on our commutes. This was in 2009 when e-readers weren’t yet as common as they are today. We talked about our fears of someday looking around a train car and only seeing cold ereader screens, not beautifully worn book covers, and not being able to tell what the person next to us was reading.

A: We wondered if there were something we could do to encourage people to keep reading books, so the idea to create a website where we posted what people were reading, sort of Missed Connections–style was born.

Has it grown since you started?
A: In the beginning, there were just two of us spying and we had a whole 8 followers for months before our friends started sharing the site with their friends and it got attention from GalleyCat and SwissMiss and then (boom!) we grew from there. We currently have about 15 secret agents spying for us and have over 12,000 followers on Tumblr, a few thousand more followers on Facebook and Twitter.

You’re on all three major social media platforms, I’m interested in how you use these.
A: CoverSpy began with a Twitter account where we tweeted the title, author, and a brief description of the reader. At some point we began adding photos of the covers and then expanded to Tumblr, which was the perfect platform to showcase the range of covers we spy each week.

CoverSpy and Tumblr seem like a natural fit. What have been some of the format’s benefits?
T: Tumblr is great because of the ease with which people can reblog and comment. Watching people get excited about the books we post is one of the coolest things about this project. People talk about whether they loved or hated that book. They recall reading it. They comment that they’re in love with the person we’ve described reading it. It’s hilarious.

What about Twitter and Facebook?
A: With Twitter we have the ability to engage in conversations by @replying to authors whose books we’ve spied and communicating with people who want to begin a CoverSpy outpost in their city. But the nature of Twitter is that tweets show up in a stream and then disappear rather quickly, limiting the amount of interaction people have with our posts. We started a Facebook page to keep people informed about our events, like I Like Your Glasses and other literary happenings they might be interested in.

Since Book Boroughing people like to go to literary events, can you explain “I Like Your Glasses” for those who aren’t familiar. It’s a great idea.
T: Last year we teamed up with Alikewise (dating site that matches people by their book tastes) and threw a series of informal soirees at Housing Works Bookstore called “I Like Your Glasses.” The idea was inspired by people’s comments on some of our CoverSpy posts–their comments along with our posts read like Missed Connections, and we thought it’d be fun to throw a party to get people mixing and mingling! It seemed like that’s what they wanted to do.

“I Like Your Glasses” isn’t just for singles looking for relationships. People show up who are looking to connect with other readers, listen to the readings, or drink the three-dollar Sixpoint beer. All proceeds go to Housing Works Bookstore, by the way, so it’s also a benefit.

You’ve been doing this for a few years now, you must see trends. What are a few you’ve noticed?
A: When a book is on the NY Times Best Seller’s List we often see it being read around the city for months following. From Colum McCann’s Let the Great World Spin to Stieg Larsson’s novels, they are very popular for a time and then are read less and less, replaced by the next big hit. People on the Q train love Malcolm Gladwell, people on the F train love Jonathan Lethem and are usually carrying either an NPR or Strand tote bag. There are more self-help books on the L train.

T: People love it when we post a children’s book. They love it even more when it’s an adult reading one–like Sweet Valley Twins. That got a lot of comments.

Do you have a favorite train for cover spying?
T: Everyone’s reading on the F train, so that makes it easy.

A: The covers on the L train tend to be the prettiest, most highly designed which I appreciate. But I think the G train is my favorite because of the range of books read on it. I’m often introduced to authors I never knew existed on that line more than others.

I’ve always wondered, you also feature ebooks, how do you know what people are reading? Do you ever ask?
T: Oftentimes when we spy an ereader we don’t say what they’re reading, because we don’t know. If anyone ever does post what book is on someone’s ereader, I think they’ve leaned over and read the running head on their screen. We don’t typically ask people what they’re reading, because that would compromise the agent’s cover.

Are there any thoughts to growing CoverSpy? I hear people in other cities are starting to create their own local sites.
A: In the past we’ve made connections with people in other cities and helped them start sites in Washington, DC, Buenos Aires, and London. It is such a fun thing to share this project with people all over the world, connecting over a shared love of books. Sometimes people begin their own versions of the project without being in touch with us; we’ve seen them pop up in Denver, Kiev, and in Japan. Although we prefer if people contacted us before using our name, that feels outside of our control. In the end, it’s cool that people are inspired by what we started.

Best book you’ve ever spied?
T: It was some steamy romance novel being read by an off-duty MTA worker—can’t remember the title.Or maybe the guy who was holding one sunflower and ten pink balloons. Again, I don’t remember which book it was. Sometimes it’s the people that stand out.

A: I get a lot of joy out of spying kids reading on the subway, so pretty much put a kid in front of me with Beverly Cleary or Harry Potter and that’s my favorite.

What was the last great book you read?
A: Not many books in the world can top Simon Van Booy’s The Secret Lives of People in Love, although Nicole Krauss’s The History of Love comes close.

T: Ha. That’s funny because I was going to say that I just finished Simon Van Booy’s Everything Beautiful Began After. And it was pretty great.

Event Coordinator and Literary Publicist Lauren Cerand on Upstairs at the Square and Author Events

Lauren Cerand is a literary publicist extraordinaire and the event coordinator behind one of New York City’s most talked about reading series, Upstairs at the Square, held monthly at Barnes & Noble’s Union Square store.

She can be found at her website, blog, and on Twitter.

At the next Upstairs at the Square event on Wednesday, February 15th, author Edward St. Aubyn will read from his new novel At Last and singer-songwriter Joseph Arthur will perform, and both will be interviewed by Katherine Lanpher.

What makes the Upstairs at the Square event special?

I always describe it, for people who haven’t been to one, or done one before, as a live talk show in a perfect world where the most talented people in society appear on television in prime-time. Like France. Also, we have room for you and your friends, and it’s free. If you miss a show, you can watch them a few days later when they’re posted at www.bn.com/upstairs or get the podcast at iTunes.

What qualities do you look for in authors and musicians for this event?

Katherine has an illustrious background in radio and impressed upon me the importance of being a “good talker.” It’s more than a mini-concert or a very well-curated reading, or an interview, although it is all of those things. People game to try out the concept, even if it’s a new format for them. No divas, ever. The staff work too hard to deal with that after a long day.

What can we expect from Edward St. Aubyn & Joseph Arthur on Wednesday?

I’ll be a surprised as you, honestly. It’s a live show! I did tell my boss at B&N today [Brenda Marsh, head of author relations] that when Joseph sings, she’ll totally get it as a fan of Edward. That confluence of creativity is always the goal.

You are both a publicist who books authors for reading events as well as a literary event coordinator. What advice would you give publicists who are adding events to their authors’ calendars? Advice for event coordinators?

Be exclusive. Book the biggest show you can. Nobody enjoys doing ten appearances with ten people at each one –– not the stores, not the organizers, and especially not the talent. For event coordinators, be clear and concise about what you expect, and understand that anxiety is a natural part of life, even when it manifests itself in confounding ways. Be nice.

photo courtesy of laurencerand.com

Brooklyn Author Myke Cole on Social Media, Publicity, and Local Writing Spots

In their review, the popular science fiction website SF Signal called Myke Cole’s debut novel, Shadow Ops: Control Point, “A promising start with a new take on fantasy and military fiction.” Mixing his military experience with science fiction and fantasy, Myke gives protagonist Oscar Britton, an army officer in Vermont, a talent for opening portals — a development that takes him from member of the military to fugitive.

Myke is a local author living in Brooklyn and a prolific writer. Since the publication of his book earlier this month anyone who follows science fiction sites has probably found it hard to ignore him. He answered a few of our questions on social media, publicity, and his favorite places to write.

On Tuesday, March 7th Myke will be in conversation with authors Bob Howe and Saladin Ahmed at The SoHo Gallery for Digital Art (138 Sullivan Street, NYC). Doors open at 6:30, discussion at 7pm.

Your bio is fascinating. You’ve done three tours in Iraq , worked in Counterterrorism, Cyber Warfare, Federal Law Enforcement, and went to the Gulf of Mexico in 2010 during the BP oil spill. You book, Shadow Ops, is military science fiction infused with paranormal elements. How does your background relate to your writing?

I greatly appreciate the sentiment, but I don’t know how fascinating it is. There are literally thousands of men and women with a hell of a lot more experience in crisis-response than I have. I’ve had the pleasure of serving alongside them, and that experience has shaped every aspect of my writing. There’s the obvious creative influences: each of my characters is created based on elements (good and bad) I witnessed first hand in the people around me in Iraq and at home during domestic disaster response. Much of the creative elements in CONTROL POINT are a natural outgrowth of my nerd interests (fantasy and SF novels, comic books, video games, etc . . .) blended with what I’ve seen in my military/disaster response work.

But the military has also shaped me personally, instilling a sense of discipline and urgency that has been critical to my success as a writer. I did a recent 2-part series on this for tor.com. You can read the first part here.

Did your background help when it came to pitching your book to agents and publishing houses? How about with your publicity campaign so far?

I’d actually say that my military background worked against me in the publicity arena. The military is an OPSEC (operational security) culture. Unless you are designated public affairs personnel, the less you are saying in public, the better. My networking with agents and publishers, and my publicity campaign has been far more a function of a naturally gregarious personality. I also honestly think something is wrong with my nervous system. I sleep very, very little. The hamster will. not. stop. running.

I don’t doubt it, I’ve seen you everywhere. You’ve contributed original essays to popular science fiction sites such as Ink Punks and to John Scalzi’s Whatever blog. I’ve also seen you on other authors’ websites. Can you talk about contributions both as a promotional tool and as a way to forge relationships with fellow writers and authors?

I am cautiously optimistic/pleased with how strong the signal has been in the month of January (the month leading up to the book’s release). I have joked with friends that it has been “Myke Month” and that even *I* am getting sick of hearing about myself. I *think* it has had a positive impact on people hearing about the book and first week’s sales. But the truth is that I don’t know. The impact of social media is still evolving and I was just discussing with my agent that we have no way to tell if I am getting a “big” Twitter reception or not. This is because we have no idea what “big” means in this arena. With more and more users flocking to the system every day (and the rate at which it’s diversifying – Google + anyone? Death of MySpace?), there’s just no relative standard by which to judge. I’ve gotten a lot of reviews, but with new review sites going up every day, how do you tell if it’s really “a lot” or not?

But the process has been really, really simple and it’s absolutely repeatable by other writers: I did the following -

  • I quit my day job to give myself the time necessary to really go after this.
  • I said yes to EVERYTHING. Every request for interview, guest post, podcast appearance, convention programming slot. EVERYTHING. YES. I WILL DO IT.
  • I accept the fact that ALL of this is on my dime. I spend freely on it.
  • For those sites/shows/cons that don’t invite me, I go to them and ask (nicely) if they will have me on. If it’s a big venue that doesn’t know me, I send my publicist or agent after them.

Easy-peasy. You just have to want it really badly.
And I do.
Really.
Badly.

Do you find that science fiction and fantasy authors have a leg up in this department — a large, supportive fan and media base that is Internet and social media savvy?

Not at all. We like to *think* that we do, but go on Twitter and compare the number of followers that Snooki or Lil’ Wayne has to the number of followers Neil Gaiman (often thought of as the Twitter beacon of the SF/F community). I love Neil to death, but the numbers say everything. Now, that said, SF/F fandom is the basis for everything writers do in this community. Most of us came up from fandom (I know I did), and without fans, I wouldn’t have a career. Social media is a fantastic way to stay in touch with them (both for my own social reasons and to promote my work), but it’s the same way rock stars and TV celebrities are keeping in touch with their MUCH larger pool of fans as well.

I do see you on Twitter a lot. What’s been your experience with it as an author?

Twitter has been an undeniable boon for my career. But the truth is that I spend most of my life alone hunkered over my computer (except when I’m on duty with the guard), so Twitter is also my main social outlet. I’m happy to have Twitter for work purposes, but I NEED it to stay in touch with other nerds and keep from sliding into the maudlin pit of loneliness that awaits all writers.

Any tips for other authors?
My Twitter “tips” are pretty straightforward:

  • I try to tweet around 10 times a day (usually less) throughout the day, spaced out.
  • I don’t just tweet career related promotional stuff. I am sure to tweet about things I like and am interested in that have nothing to do with me as a writer.
  • I respond to as many @’s and DMs as I possibly can.
  • I *never* tweet about politics or religion. I want people focusing on my writing, not being distracted by my personal positions.
  • I make sure that all my tweets automatically populate my Facebook and Google+ status. If (as often happens) that doesn’t work, I do it manually.

Do you have a set writing schedule or an effective habit?

I DID have a schedule, but it has absolutely gone to hell as CONTROL POINT came out and the work of marketing/promoting it has spun up. I’m at the point where I write whenever I possibly can, which is a rapidly shrinking window. You can refer to the tor.com article I mentioned earlier for a discussion of discipline, self-denial and embracing misery.

Bottom line: Don’t play video games.

Do you have a favorite place to write in the area or a place to hang out when you’re done writing?

  • My apartment in Flatbush. If you want to stalk me there, wear body armor. It’s not a nice neighborhood.
  • The *awesome* coffee shop Qathra on Cortelyou Road further south. HIGHLY recommend this place as a writer’s retreat. They are super friendly to writers, even if you want to sit all day. The wifi is reliable, the prices are reasonable and the coffee is fantastic.
  • The Rose Reading Room at the New York Public Library. What an amazing space for any quiet endeavor. Please consider volunteering or donating!

::[Further Reading]::
Buy Myke’s book, Shadow Ops: Control Point, at IndieBound or find it at your local indie
Read an excerpt at Tor.com
Read Myke’s blog post on his site about how he makes writing full-time work financially
Myke’s Big Idea post at John Scalzi’s site
Listen to Myke on the Functional Nerds podcast
Read Myke’s interview with Chuck Wendig at Terrible Minds